Famous Historical Paintings
The most famous paintings of all time.
This page is dedicated to uncovering why certain works have become milestones in painting: from techniques that broke the mould to the unique circumstances that marked their creation. A brief yet intense journey through paintings that forever changed the way we look at art.
1. The Starry Night, Van Gogh
Author: | Vincent van Gogh |
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Original Title: | La Nuit étoilée |
Type: | Painting |
Style: | Post-Impressionism |
Medium | Oil |
Support: | Canvas |
Year: | 1889 |
Genre: | Landscape |
Subject: | Life in the suburbs |
Located: | MoMA museum, New York. |
The fame of The Starry Night by Vincent van Gogh grew due to its extreme reproducibility (covers, posters, mugs, apps), the biographical story surrounding Van Gogh (mental health, letters, short life), its prominent presence at MoMA, and its constant virality on social media. It has even been the subject of scientific studies on turbulence and countless educational videos — all of which keep it as the “emotional” image of modern art for the general public.
2. The Scream, Edvard Munch
Author: | Edvard Munch |
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Original Title: | Der Schrei der Natur |
Type: | Painting |
Style: | Expressionism |
Medium | Tempera, pastel, and wax crayons |
Support: | Cardboard |
Year: | 1893 |
Located: | The National Gallery of Norway |
The Scream by Edvard Munch is a universal emblem of modern anxiety: a simple silhouette anyone can recognize. Its notoriety was amplified by its thefts (1994 and 2004), by the existence of several versions displayed in major museums, by its auction record (2012), and by being one of the most parodied images of the 20th and 21st centuries, even inspiring emojis and campaigns. Its ability to capture a collective feeling explains its ubiquity.
3. Sunflowers 1888-89, Van Gogh
Author: | Vincent van Gogh |
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Original Title: | Tournesols |
Type: | Painting |
Style: | Post-Impressionism |
Medium | Oil |
Support: | Canvas |
Year: | 1888-1889 |
Located: | Philadelphia Museum of Art, USA. |
Sunflowers, painted by Van Gogh in 1889, is part of the series of sunflower paintings that achieved worldwide fame as one of the most iconic and recognizable sets of Post-Impressionism. Van Gogh painted several versions, now housed in prestigious museums such as the National Gallery in London and the Van Gogh Museum in Amsterdam, which greatly increased their international visibility. The simple yet vibrant motif — yellow flowers in a vase — has been adopted as a symbol of radiant joy and of the artist’s expressive power. Its popularity soared in the art market with record auction sales and it has been massively reproduced on all kinds of media, from educational materials to decorative objects, becoming a cultural image inseparable from the name Van Gogh.
4. The Kiss, Klimt
Author: | Gustav Klimt |
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Original Title: | Der Kuss |
Type: | Painting |
Style: | Modernism |
Medium | Oil |
Support: | Canvas |
Year: | 1908 |
Located: | Galería Belvedere, Austria |
The international fame of The Kiss by Gustav Klimt is due to its having become the most recognizable image of Viennese Modernism and Art Nouveau. The radiant gold, inspired by Byzantine mosaics, makes it instantly stand out in any visual context, which has encouraged its mass reproduction on posters, stationery, textiles, and even jewelry. Permanently displayed at the Österreichische Galerie Belvedere, it is one of Vienna’s main tourist attractions. Moreover, its universal theme—romantic love—and its ornamental aesthetic have allowed it to be constantly reinterpreted in advertising campaigns, social media, and pop culture, securing it a lasting place among the most famous works in the world.
5. Luncheon of the Boating Party, Renoir
Author: | Pierre-Auguste Renoir |
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Original Title: | Le Déjeuner des canotiers |
Type: | Painting |
Style: | Impressionism |
Medium | Oil |
Support: | Canvas |
Year: | 1880-81 |
Genre: | Costumbrism |
Located: | Phillips Collection, Washington, EE. UU. |
The fame of Luncheon of the Boating Party by Pierre-Auguste Renoir was built largely on its exhibition in 1882 at the Seventh Impressionist Exhibition in Paris, where it was received as one of the group’s most ambitious works. After decades in private collections, its acquisition in 1923 by Duncan Phillips made it the centerpiece of the Phillips Collection in Washington D.C., one of the first museums of modern art in the United States, which greatly boosted its international visibility. Its frequent inclusion in Renoir retrospectives and in traveling exhibitions at high-profile museums has multiplied its exposure. In addition, it regularly appears in publications and documentaries on Impressionism, and its status as the museum’s “star work” has made it one of the most photographed and promoted images in catalogues and educational materials, cementing its position as an icon of 19th-century French art.
6. The Return of the Prodigal Son, Rembrandt
Author: | Rembrandt |
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Original Title: | Terugkeer van de Verloren Zoon |
Type: | Painting |
Medium | Oil |
Support: | Canvas |
Year: | 1963-65 |
Genre: | Religious paintings |
Subject: | Biblical passage |
Located: | Hermitage Museum, Russia |
The Return of the Prodigal Son, although painted in the final years of Rembrandt’s life, remained relatively little known until it entered the collection of the Hermitage Museum in 1766, when it was acquired by Catherine the Great as part of a lot of European art aimed at culturally legitimizing the Russian court. In the 19th century, the Hermitage placed it in prominent galleries, enabling travelers, writers, and diplomats to disseminate it through chronicles and engravings. During the 20th century, its prestige was reinforced by its inclusion in scholarly publications that identified it as a synthesis of Rembrandt’s late style: loose brushwork, restrained composition, and profound spiritual depth. International dissemination multiplied with photographic reproductions after World War II, coinciding with renewed interest in Dutch Golden Age art. Its fame reached an even broader audience thanks to theologian Henri Nouwen’s book The Return of the Prodigal Son (1992), which turned the image into a symbol of forgiveness and reconciliation in religious and educational contexts. Today, it is one of the most requested works on guided tours of the Hermitage and a regular reference in lectures, thematic exhibitions, and audiovisual material on Rembrandt.
7. The Artist's Garden at Giverny, Monet
Author: | Claude Monet |
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Original Title: | Le jardin de l'artiste à Giverny |
Type: | Painting |
Medium | Oil |
Support: | Canvas |
Year: | 1900 |
The Artist’s Garden at Giverny by Claude Monet became famous as one of the purest expressions of mature Impressionism. In it, Monet depicts his own garden as an explosion of color and movement, where the central perspective of a path dissolves among irises, roses, and masses of vegetation. The quick, fragmented brushwork captures the vibration of light on the flowers, while the composition conveys the sensation of being immersed in an intimate, living paradise. More than a landscape, it is a visual diary of his bond with nature, turned into a work of art.
8. Wheat Field with Cypresses, Van Gogh
Author: | Vincent van Gogh |
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Original Title: | Champ de blé avec cyprès |
Type: | Painting |
Style: | Post-Impressionism |
Medium | Oil |
Support: | Canvas |
Year: | 1889 |
Located: | Museum MET, New York. |
Wheat Field with Cypresses by Vincent van Gogh is famous because it distills the artist’s most recognizable and celebrated style: energetic brushstrokes, intense color contrasts, and a nature that seems to move and breathe. It represents the peak of his creative maturity and has become an iconic image of Post-Impressionism, cited and reproduced as an example of how Van Gogh transformed the landscape into an emotional experience.
9. Nighthawks, Hopper
Author: | Edward Hopper |
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Original Title: | Nighthawks |
Type: | Painting |
Medium | Oil |
Support: | Canvas |
Year: | 1942 |
Subject: | City life |
Located: | Instituto de Arte de Chicago |
Nighthawks by Edward Hopper became an iconic poster in university settings because it embodies, with a clean aesthetic and ambiguous narrative, feelings that resonate with that stage of life: shared solitude, long nights, and the sensation of being “both inside and outside” the world at the same time. Its cinematic composition and neon light invite the viewer to invent stories—something that connects with young and creative minds. Moreover, its ambiguity makes it universal: it neither judges nor explains, but simply presents a scene that each viewer completes in their own way, giving it a cultural power that transcends academic art to become a symbol of contemporary introspection.
10. Cafe Terrace at Night, Van Gogh
Author: | Vincent van Gogh |
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Original Title: | Terrasse du café le soir |
Type: | Painting |
Style: | Post-Impressionism |
Medium | Oil |
Support: | Canvas |
Year: | 1888 |
Located: | Kröller-Müller Museum, Netherland |
Café Terrace at Night by Vincent van Gogh is famous not only for its vibrant palette and nocturnal atmosphere without black—achieved through deep blues and luminous yellows—but also because it anticipates the visual language that would make The Starry Night an icon. The work captures the warmth and bustle of an outdoor café, but also the artist’s fascination with artificial light and the starry sky. Its fame lies in that unique blend of urban intimacy and technical experimentation, which has made it one of the most beloved and reproduced images of Post-Impressionism.
11. The Great Wave off Kanagawa, K. Housaki
Author: | Katsushika Hokusai |
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Original Title: | Kanagawa oki nami ura |
Type: | Engraving |
Style: | Edo or Tokugawa period (Japan 1603-1868) |
Medium | Ink |
Support: | Table |
Year: | 1833 |
Genre: | Seascapes |
Located: | Museum MET, New York. |
The Great Wave off Kanagawa by Katsushika Hokusai is famous for transcending its origins as a 19th-century Japanese print to become a global icon of art. Published around 1831 as part of the series Thirty-six Views of Mount Fuji, it combines the dramatic force of the wave with a precise composition that reflects the aesthetics of ukiyo-e. Its impact lies in the way it fuses Japanese tradition and Western perspective, creating an image so powerful and timeless that it has influenced painters, designers, and visual culture across the world.
12. Walk on the Beach, J. Sorolla
Author: | Joaquín Sorolla y Bastida |
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Original Title: | Paseo a orillas del mar |
Type: | Painting |
Style: | Luminism |
Medium | Oil |
Support: | Canvas |
Year: | 1909 |
Genre: | Costumbrism |
Subject: | Valencia Beach |
Located: | Sorolla museum, Madrid. |
Walk on the Beach by Joaquín Sorolla is famous for capturing, with unmistakable technical mastery, the light and movement of the Mediterranean. It depicts the artist’s wife and daughter walking along the shore, wrapped in white fabrics that seem to shimmer in the wind and sunlight. Its fame comes from how Sorolla brought Luminism to its highest expression, turning an intimate scene into a universal celebration of light and outdoor life.
13. Impression, Sunrise, Monet
Author: | Claude Monet |
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Original Title: | Impression, soleil levant |
Type: | Painting |
Style: | Impressionism |
Medium | Oil |
Support: | Canvas |
Year: | 1872 |
Genre: | Seascapes |
Located: | Musée Marmottan Monet, Paris |
Impression, Sunrise by Claude Monet is famous because it —almost accidentally— gave its name to the Impressionist movement. It depicts the port of Le Havre with quick brushstrokes and a misty atmosphere that broke away from the academic conventions of the time. When a critic used the title to mock the work, the term “Impressionism” was adopted by the group and became the banner of an artistic revolution that transformed modern painting.
14. The Mona Lisa, Leonardo da Vinci
Author: | Leonardo da Vinci |
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Original Title: | Gioconda |
Type: | Painting |
Style: | Renaissance |
Medium | Oil |
Support: | Wood Panel |
Year: | 1503-06 |
Genre: | Retrato |
Located: | Louvre museum, París. |
The Mona Lisa by Leonardo da Vinci is the most famous painting due to a combination of extra-artistic factors: the 1911 theft that made it world news, its permanent display in the most visited museum (the Louvre) with massive queues, the enigma of the smile that fuels endless theories and articles, its omnipresence in schoolbooks and merchandising, and a history of tours and conservation measures that always make headlines. Moreover, it is the ultimate icon in memes and pop culture, constantly renewing its notoriety generation after generation.
15. Ladies of Avignon, Picasso
Author: | Pablo Ruiz Picasso |
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Original Title: | Les demoiselles d’Avignon |
Type: | Painting |
Style: | Cubism |
Medium | Oil |
Support: | Canvas |
Year: | 1907 |
Located: | MoMA museum, New York. |
Les Demoiselles d’Avignon by Pablo Picasso is famous for marking a turning point in art history, breaking radically with traditional representation. It depicts female figures fragmented into angular planes, influenced by African art and Primitivism, and is considered the foundational work of Cubism. Its formal audacity and rejection of Renaissance perspective shocked its contemporaries but also paved the way for modern painting in the 20th century.
16. Las Meninas, Velázquez
Author: | Diego Velázquez |
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Original Title: | Las Meninas |
Type: | Painting |
Style: | Baroque |
Medium | Oil |
Support: | Canvas |
Year: | 1656 |
Genre: | Period scene |
Located: | Prado National Museum, Madrid. |
The fame of Las Meninas by Diego Velázquez rests on the Prado’s “magnet effect” and its academic weight: it has been analyzed to exhaustion (from Foucault to school textbooks), reinterpreted by Picasso, and cited in debates on gaze, power, and self-representation. It is the quintessential "intellectual" work appearing in courses, documentaries, and exhibitions, and its compositional mystery makes it an obligatory reference in any ranking of celebrated works.
17. The Birth of Venus, Botticelli
Author: | Sandro Botticelli |
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Style: | Renaissance |
Medium | Óleo |
Support: | Lienzo |
Year: | 1485 |
Located: | Museo de los Uffizi |
The modern fame of The Birth of Venus by Sandro Botticelli was cemented in the 19th century, when the rediscovery of Botticelli by the British Pre-Raphaelites brought him back to public and critical attention after centuries of relative obscurity. Since its entry into the collection of the Uffizi Gallery in 1815, it became one of the most sought-after works for Grand Tour travelers, and in the 20th century it took its place in one of the museum’s most visited rooms, where it remains a main attraction.
The image of Venus upon the shell has been reproduced endlessly in official tourism campaigns for Florence and in international exhibitions that have loaned the work under strict security measures, multiplying its media coverage. Its dissemination has also been reinforced by its constant presence in school textbooks, book covers, and television documentaries on the Renaissance. In the digital age, the painting has reached a new dimension of popularity, becoming a recurring resource for memes, artistic reinterpretations, and high-profile fashion campaigns, ensuring its continuous circulation in social media and the press.
The image of Venus upon the shell has been reproduced endlessly in official tourism campaigns for Florence and in international exhibitions that have loaned the work under strict security measures, multiplying its media coverage. Its dissemination has also been reinforced by its constant presence in school textbooks, book covers, and television documentaries on the Renaissance. In the digital age, the painting has reached a new dimension of popularity, becoming a recurring resource for memes, artistic reinterpretations, and high-profile fashion campaigns, ensuring its continuous circulation in social media and the press.